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- Jake King 6082 (13)
- Jamie Barker 6009 (2)
- Jessica Viner 6151 (6)
- Liam Starling 6136 (2)
- Oliver Warren 6153 (7)
- Ritchie Wilkinson 5157 (2)
Wednesday, 19 December 2012
My expectations for the design of the film poster
My
First expectation of the poster is to have the main character looking dominant
in the center of the poster, and then having some other characters off the each
side such as the antagonist and other villains or protagonists from the film. I
then planned to have a city skyline as the background with the tile of the film
and its credits below them. I drew up a draft of what this might look like;
However
after researching more into the different styles and techniques photographers
use when thinking about the positioning of their focus I came across the thirds
rule, which is a relatively basic principle for those studying photography, and
decided to apply it to my poster. The rule of thirds states that when framing a
picture to have the most important item in one of the 3 thirds, this then lays
more of the focus upon the main characters. So by applying this rule I moved
the protagonist to the left of the page and had the extra characters off to the
right of him. Then I had the title in the right third along with the credits.
After showing an audience my draft film the feel and style of
the film seemed to collide with the content of the poster, I found myself
wanting to have a more timeless feel to it. So the city skyline would put to
must of a time stamp on the film. So the background needs a new image, I
thought about having a treeline because you can’t put a time on a forest, since
they have always been around.
Tuesday, 18 December 2012
A descussion about the choise in music
Music
discussion:
I
wanted the film to have an epic kind of feel to it, so the music I decided to
think about choosing is orchestra music which I feel will give the film an epic
and serious tone. My choice of orchestra is two steps from hell; they have lots
of different styles of music for example they have fast passed dynamic music or
soft calm music. I want to have a track that has a slow start for the intro and
then picks up in the middle to show how the film evolves. I started my search
by looking at their most successful tracks, ones that have been used in other
trailers, and I came across ‘heart of courage’ which has been used quite
extensively in other trailers or films. However after talking about how much it
has been used I thought about being more original. So I looked at more of their
tracks but none of the ones I listened to came close to fitting in as heart of
courage did. So in the end I decided to use it anyway. However I am still
keeping in mind that a newer original track would be more preferable.
Audience feedback to our film and new shots that are going ot be added
The
shots I filmed for the finishing of the draft ended up to be not what I wanted.
Responses from the audience revealed
that the shots we added in were not in the same style as the rest of the film.
The start of the film resonated a timeless and mysterious feel, “the setting
used doesn’t give me any time zone to judge the film by, which makes me want to
find out more” this quote from one of our audience shows that we had the right
idea for the start of the film but it fell down after that. So new shots are
needed to fill in the rest of the trailer, at the moment we still only have about
30 seconds of film we are using. Some of the new shots I am adding to the list
are;
·
Character waking up
·
Hints of the past
·
Use of mirrors
·
Defending him self
·
Packing a bag
·
Jumping
·
Voiceovers – investigating, he’s gone, let’s go, I
gave them everything/they took everything
·
Axe hitting a tree
·
Gun
·
Running through a River
I
want to keep the mysterious style of the film so by looking at similar styled
films, like the Bourne film, I came up with a list of different shots to use by
looking at the actions that go on throughout the trailers.
In
addition the audience said they felt alienated from the film because we weren’t
going to show the protagonist’s face in the trailer we did this to give him
more of a mysterious presence in the film; however after looking into our
feedback we decided that it would not give him much of an impact in the film, thus
not making him much of a main character. So to change this we are showing his
face but keeping the mystery around him with other methods, such as speech like
“how is he” or “we need to find him”.
Friday, 14 December 2012
Tuesday, 11 December 2012
Monday, 10 December 2012
Music for Trailer
We have found the music for our trailer, Gods gunna cut you down by Johnny Cash
http://www.youtube.com/watch?v=6Bwfm7-uNS4
http://www.youtube.com/watch?v=6Bwfm7-uNS4
Abraham Lincoln Vampire Hunter Poster Analysis
Abraham Lincoln Vampire
Hunter Poster Analysis
The background of this movie poster is dark, misty and
eerie, thus establishes the genre of the film as being horror and also this shows
the film to be very secretive as it is set in darkness and fog which is a
common stereotype within films of a similar genre. Within this poster there are
many examples of mise-en-scene including clothing, as the man is seen to be
wearing a top hat and an old style black suit. This could tell us that this man
is of importance and is the main character within this film as the clothing he
is wearing represents smartness and importance. However the clothing the man is
wearing is also completely black, which has representations of death and
evilness. This fits in with the film’s title of “Vampire Hunter” which could
tell us that this man who we see on this poster is in fact the Vampire Hunter
which the film is about.
Also within the poster the man’s face is seen to be blacked
out by a shadow, this is done so the identity of the main character is kept
secret so people do not know what he looks like. This is done to try and make
people want to watch the film more as they will want to know who this man is.
This also makes the man look very mysterious and also dangerous which fits in
with what he is wearing and the fact that he is the Vampire Hunter featured
within the films title.
Law Abiding Citizen Trailer Analysis
Law Abiding
Citizen Trailer Analysis
The trailer begins with a high angle shot looking out over
the city of Philadelphia. We then see a close up of a man, he is seen to be a
family man as he is seen with wife and daughter, during this shot we hear slow
paced and peaceful non diegetic music. This tells us that this man lives a
peaceful and happy life with his family. However his peaceful life is soon
disrupted as a group of criminals break into his house and murder his wife and
daughter. There are many examples of mise-en-scene with these criminals, for
example they are seen to have tattoos, wearing black clothing, holding baseball
bats, wearing hats and are seen to be unshaven. One of the men is also seen to
be wearing a white vest. These are all stereotypes often associated with
criminals, as the colour black has connotations of evilness and bad, while the
baseball bat has connotations of pain and violence and the tattoos are often
associated with toughness and criminal activity. As these men enter the house
the non-diegetic music then gets loud and faster, this represents his life from
going from peaceful and happy to sadness and anger. We then are shown a close
up of the man tied up and taped at the mouth; he is seen to be angry as he
watches what is going on before him.
This shot then fades to the titles of “Overtune Films” the fact that the editing used is a fade could
show that his hope and also his life are fading away as a result of what has
just happened.
We then see an over the shoulder shot of a man wearing a
suit, the fact that he is wearing a suit could tell us that this man is of
importance. He is heard saying the diegetic dialogue of “Some justice is better
than no justice at all” this tells us that the men have got away with the
murder of the man’s wife and daughter, this then begins to tell us the plot of
the film. We then see the high angle shot of the city of Philadelphia that we
saw at the start of the trailer again. This shows us that there could be
something significant about this shot, such as a building. We then see a long shot
of the man looking on in the distance following one of the criminals getting
away for the murder. This shot an example of deep focus as we can clearly see
the man in the background but not the people who are stood near him, who are
slightly obscuring him. The fact that the people around him are obscuring him
shows us that he is seen to not be important and not noticed. This shot then
zooms into a close up of the man showing him to be both angry and confused
following the verdict of the trial.
We then see an example of shallow focus in the shape of a
long shot of a prison looking through a barbed wire fence. The barbed wire
fence could represent the man looking through and monitoring what is going on
with the criminals in the prison and that he will never be able to move on from
the events that have happened and he will never forgive both the criminals who
killed his family and the justice system for letting him down. The man is then seen to get revenge on the men
who murdered his family but murdering them. He is seen ruthlessly torturing one
of them; this shows him to be a completely changed man from the family man we
see at the start.
We then see a long shot of the man talking to the man in the
suit from earlier in the trailer, who is a lawyer. The two are seen to be talking within a cage,
this could show that both are in fact criminals for their actions, the man for
the killing the men who murdered his family and the lawyer for letting the men
go free. Further on into the trailer we see a close up of the man and he is
heard to say the diegetic dialogue of “I kill everyone” this shows how much
this man has changed going from the kind family man to the serious, determined
and evil murderer. We then see a low angle shot looking up at the man as he is
being escorted away by armed Police officers. The fact that a low angle shot is
used could show us that despite being in prison and surrounded by armed Police
he is still dominant and in control within the film. We then see a number of explosions
in a car park surrounding the lawyer and leaving him fearing for his life. The
trailer ends with a long shot of the man standing with his back towards the
camera as flames appear in the background with him looking towards them. These
flames could represent the man as possibly being the devil or going to hell.
Friday, 7 December 2012
Tuesday, 4 December 2012
magazine font discussion
This is a discussion about the different fonts used by movie magazines and the ways they effect the style of the magazine.
Empire magazine has a similar font to EF Kaffeesatz Schwarz and Bernhard Gothic Heavy SG, it is bold and the bottom half of the letters have been shortened. To me the M in empire resembles the huge flood lights used outside movie premieres, this links the magazine to how it reviews movies. in addition the colour is nearly always red, exceptions for when it is necessary to user a different colour, like for when the background and red dose not match up.
Premier magazine on the other hand uses a verity of different colour instead of sticking to a usual one. A common trend is for their background to be white, i suggest this is to have more focus on the main image than the title. The font of their title is thin and tall, opposite of what empire magazine has. I think that this is for the same reason that the background is always white, to get more focus on the main image. the font they use is called ELDORADO.
Total film is allot like empire, its M has the same meaning and representation and the font overall is very similar as well. they too seem to try to stick to one colour, white, for their title colour. the purpose of this would seem to be to build familiarity for its reader. making it easier to see off a shelf so that you think to buy it and just like empire they make exceptions to this, for example a special review.
Unlike the more well known magazines i looked at before, box office magazine does not have a general font that it uses, it changes to be appropriate for the front cover article. i think this is because it does not have the renown that empire and total film has it has to make itself more unique to grab attention away from the more popular brands.
Empire magazine has a similar font to EF Kaffeesatz Schwarz and Bernhard Gothic Heavy SG, it is bold and the bottom half of the letters have been shortened. To me the M in empire resembles the huge flood lights used outside movie premieres, this links the magazine to how it reviews movies. in addition the colour is nearly always red, exceptions for when it is necessary to user a different colour, like for when the background and red dose not match up.
Premier magazine on the other hand uses a verity of different colour instead of sticking to a usual one. A common trend is for their background to be white, i suggest this is to have more focus on the main image than the title. The font of their title is thin and tall, opposite of what empire magazine has. I think that this is for the same reason that the background is always white, to get more focus on the main image. the font they use is called ELDORADO.
Total film is allot like empire, its M has the same meaning and representation and the font overall is very similar as well. they too seem to try to stick to one colour, white, for their title colour. the purpose of this would seem to be to build familiarity for its reader. making it easier to see off a shelf so that you think to buy it and just like empire they make exceptions to this, for example a special review.
Unlike the more well known magazines i looked at before, box office magazine does not have a general font that it uses, it changes to be appropriate for the front cover article. i think this is because it does not have the renown that empire and total film has it has to make itself more unique to grab attention away from the more popular brands.
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